Where It Began
A Kitchen Table in Kolkata.
A Question That
Wouldn't Leave.
Paper Pencil didn't start with a business plan. It started with a question: why do the most beautiful things in India the art forms that have survived centuries disappear the moment they leave the village?
We grew up surrounded by Bengal's art. Kantha stitch on grandmother's sarees. Dokra figurines on the mantelpiece. Terracotta diyas at Diwali. These weren't decorations they were memory made physical.
"We wanted to build a bridge between the artisan's hands and the modern home. Not a museum. A living, breathing marketplace."
Sauvik Ganguly
Founder, Paper Pencil
"Kolkata · Craft · Community"
A Word From the Founder
"I didn't want to build a store.
I wanted to build a relationship."
I'm not a trained artist or a business school graduate. I'm someone who grew up watching my grandmother's hands — the way they moved over fabric, over clay, over paper. The things she made carried a warmth that no factory could replicate.
Paper Pencil exists because I believe that when you buy something handmade, you're not just buying an object. You're buying someone's time, their knowledge, their heritage. You deserve to know whose hands made what's in your home.
"A Madhubani painting that sold yesterday paid for a child's school fees in Bihar. That's not marketing — that's the actual point."
— Sauvik, Kolkata
Archita Basu
Operation Head, Paper Pencil
"Kolkata · Craft · Community"
A Word From the Operation Head
"I'm not selling art.
I'm selling the people behind it."
I grew up in a home where nothing was bought for convenience. My mother chose things slowly a brass diya from a market in Kumartuli, a kantha quilt stitched by a woman whose name she still remembers. Those objects had weight. Not just physical weight emotional weight.
India has hundreds of art forms that are disappearing not because people don't love them, but because the artisans who carry them can't survive on love alone. Paper Pencil exists to change that. One piece at a time. One home at a time.
"The artisan who painted your wall piece wakes up every morning and does this because it's the only thing they know how to do. When you bring that home, you're not just decorating a wall. You're keeping a tradition alive."
— Archita, Kolkata
Our Chitrakars
INOVATION HEAD
Kaushik Ganguly
Cultivated in the rich artistic environment of the Indian College of Arts and Craftsmanship's Painting Department, Kaushik acts as the visionary strategist for Paper Pencil's design evolution. As Innovation Head, he constantly explores new mediums, textures, and concepts to reinvent traditional art forms. His graduation expertise allows him to blend timeless fine art techniques with modern gifting trends seamlessly.
PRODUCTION HEAD
Deboshmita Hore
Bringing her academic background from the prestigious Indian College of Arts and Craftsmanship (BFA, Painting Honours), Deboshmita bridges the gap between classical fine art and premium product design. As Production Head, she oversees the end-to-end creation of every piece at Paper Pencil. Her deep understanding of color theory, traditional techniques, and artistic discipline ensures that every handmade item is not just decor, but a true collectible masterpiece.
How Every Piece Is Made
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Raw material
Natural wood, clay, or handmade paper sourced locally from trusted suppliers.
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Base preparation
Surface is cleaned, primed, and prepared by hand before any painting begins.
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Hand painting
Every motif drawn freehand. No stencils. No machines. Pure skill and memory.
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Quality & dispatch
Checked by hand, wrapped carefully, and sent directly from the artisan's workshop.
